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'I'M SORRY DAVE'
Bownik, Philippe Braquenier, Vincent Fournier, Koen Hauser, Inez & Vinoodh, Martina Sauter, 5 November 2022 - 14 January 2023

'I'M SORRY DAVE': Bownik, Philippe Braquenier, Vincent Fournier, Koen Hauser, Inez & Vinoodh, Martina Sauter

Past exhibition
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Overview
Inez & Vinoodh Rianne van Rompaey / H.A.L. 9000, 2019 Pigment print on watercolour paper, mounted, ‘hydrangea flower’ painted wooden frame, museum glass 152,5 x 226 cm / framed 156 x 229,5 cm Edition of 3 plus 1 artist's proof
Inez & Vinoodh
Rianne van Rompaey / H.A.L. 9000, 2019
Pigment print on watercolour paper, mounted, ‘hydrangea flower’ painted wooden frame, museum glass
152,5 x 226 cm / framed 156 x 229,5 cm
Edition of 3 plus 1 artist's proof
First released in 1968, Stanley Kubrick’s 2001: A Space Odyssey soon became a benchmark of science fiction, offering a speculative look into a distinctly dystopian future.

Across a sleek and clinical universe of Kubrick’s own design, the movie projected an artificial intelligence so sophisticated that it would, sooner or later, defy its creators; ‘I’m sorry Dave,’ HAL 9000 – the sentient computer – famously tells his human operator, ‘I’m afraid I can’t do that.’

 

Over 50 years since its release, and in spite of the unforeseeable extent of technological advancement, the questions Kubrick’s masterpiece first kicked up remain pertinent. The aesthetic world he constructed, meanwhile, is reflected back in today’s data centres, international space programmes and self-driving cars. To what extent, then, might the foresight and futuristic visual languages of imaginative artists have shaped subsequent innovations in design and technology?

 

The Ravestijn Gallery is delighted to present ‘I’M SORRY DAVE’ – an exhibition of works by Vincent Fournier (FR), Inez & Vinoodh (NL/US), Bownik (PL), Martina Sauter (DE), Koen Hauser (NL) and Philippe Braquenier (BE). Combining direct 2001 references – from Fournier’s image of a Space Odyssey costume to Inez & Vinoodh’s depiction of the iconic red Djinn chair – with a subtler series of associations, the featured works orbit playfully around the ideas and aesthetics that Kubrick’s film proffered.

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Works
  • Vincent Fournier, Space Odyssey Spacesuit #1, Sylmar, USA, 2019
    Vincent Fournier, Space Odyssey Spacesuit #1, Sylmar, USA, 2019
  • Inez & Vinoodh, Rianne van Rompaey / H.A.L. 9000, 2019
    Inez & Vinoodh, Rianne van Rompaey / H.A.L. 9000, 2019
  • Koen Hauser, The Dance of Venus, 2019
    Koen Hauser, The Dance of Venus, 2019
  • Vincent Fournier, The Itamaraty Palace – Foreign Relations Ministry, wood and steel panel by Athos Bulcão, Brasília, 2012
    Vincent Fournier, The Itamaraty Palace – Foreign Relations Ministry, wood and steel panel by Athos Bulcão, Brasília, 2012
  • Bownik, Disassembly 7, 2013
    Bownik, Disassembly 7, 2013
  • Vincent Fournier, Space Shuttle Discovery Nose Landing Gear, J.F.K. Space Center [NASA], Florida, U.S.A., 2011
    Vincent Fournier, Space Shuttle Discovery Nose Landing Gear, J.F.K. Space Center [NASA], Florida, U.S.A., 2011
  • Vincent Fournier, Ergol#7, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 2007
    Vincent Fournier, Ergol#7, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 2007
  • Vincent Fournier, Ergol #12, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 2007
    Vincent Fournier, Ergol #12, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 2007
  • Vincent Fournier, Anechoic Chamber, [ISAE], Toulouse, 2018
    Vincent Fournier, Anechoic Chamber, [ISAE], Toulouse, 2018
  • Philippe Braquenier, Pont d’Arc Cavern – Vallon-Pont-d’Arc, France – 06/07/02016, 2016
    Philippe Braquenier, Pont d’Arc Cavern – Vallon-Pont-d’Arc, France – 06/07/02016, 2016
  • Philippe Braquenier, ARNANO #1 – Grenoble, France – 20/03/02014, 2014
    Philippe Braquenier, ARNANO #1 – Grenoble, France – 20/03/02014, 2014
  • Philippe Braquenier, Wikileaks, Pionen Data Centre – Stockholm, Sweden – 04/11/02014, 2014
    Philippe Braquenier, Wikileaks, Pionen Data Centre – Stockholm, Sweden – 04/11/02014, 2014
  • Martina Sauter, Hands: Corn, 2020
    Martina Sauter, Hands: Corn, 2020
  • Martina Sauter, 11, 2021
    Martina Sauter, 11, 2021
Installation Views
  • Img 1713
  • Img 1674
  • Img 1676
  • Img 1709
  • Img 1739
  • Img 1730
  • Img 1758
  • Img 1768
Press
  • Strelitzia Incognita, 2022 © Vincent Fournier

    It’s Springtime on Polaris-9b, and the Exoflowers Are Blooming

    An artist imagines the flora of distant, nonexistent worlds.
    Emily Anthes, The New york Times, April 20, 2025
  • Arnano #1 – Grenoble, France – 20/03/02014, 2014 © Philippe Braquenier / courtesy The Ravestijn Gallery

    RETROFUTURISME

    Jeroen Bos, FD Persoonlijk, December 31, 2022
  • Installation shot of 'I'M SORRY DAVE' at The Ravestijn Gallery

    I'm Sorry Dave: art in the footsteps of Stanley Kubrick's universe

    Design Mate, December 1, 2022
  • Installation view of 'I'M SORRY DAVE'

    EXHIBITION REVIEW: 'I'M SORRY DAVE'

    Caroline Johnson, Musée Magazine , November 29, 2022
  • The Dance of Venus, 2019 © Koen Hauser / courtesy The Ravestijn Gallery

    New exhibition samples the deep space and alien vibes of Stanley Kubrick’s work

    Jonathan Bell, Wallpaper*, November 5, 2022
Publications
  • 'ONE/TWO'

    'ONE/TWO'

    by Martina Sauter Martina Sauter, 2022
    Softcover 64 pages
    Publisher: KERBER
    ISBN: 978-3-7356-0882-6
    Dimensions: 17 × 24 cm
    Read more
Virtual Exhibition

Related artists

  • Bownik

    Bownik

  • Philippe Braquenier

    Philippe Braquenier

  • Vincent Fournier

    Vincent Fournier

  • Koen Hauser

    Koen Hauser

  • Inez & Vinoodh

    Inez & Vinoodh

  • Martina Sauter

    Martina Sauter

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