• Anja Niemi once famously told a pushy New York journalist, that ‘away from the stage I do not exist.’ 
    The Woman Who Never Existed by Anja Niemi was inspired by the words of the pioneering Italian actress Eleonora Duse. Eleonora worked the international theatre stage alongside Sara Bernhardt in the early 20th century. In contrast to Bernhardt's outgoing personality, Duse was introverted and private, rarely giving interviews. She once famously told a pushy New York journalist, that ‘away from the stage I do not exist.’ 
     
    Niemi takes on the role of a fictional character visualized after reading Eleonora’s words. The Woman Who Never Existed tells the story of an actress who only exists in front of an audience, when no one is looking she starts to disappear. In the same way as before Niemi works alone. Photographing, staging and acting out the characters in all of her photographs. She is an artist playing with notions of self-portraiture and self-identity. Niemi says her images merges darkness with humour. They hint to the disparity between who we are and how we want to be perceived.
     
    Norwegian photographer Anja Niemi is considered ‘one of the most compelling modern artists working today’. (British Journal of Photography). Niemi always works alone. Photographing, staging and acting out the characters in all of her photographs.
    • Anja Niemi, Intermission, 2016
      Anja Niemi, Intermission, 2016
    • Anja Niemi, Last Act, 2016
      Anja Niemi, Last Act, 2016
    • Anja Niemi, The Bedroom, 2016
      Anja Niemi, The Bedroom, 2016
    • Anja Niemi, The Empty Pool, 2016
      Anja Niemi, The Empty Pool, 2016
    • Anja Niemi, The Flower Room, 2016
      Anja Niemi, The Flower Room, 2016
    • Anja Niemi, The Stage, 2016
      Anja Niemi, The Stage, 2016

  • For more information on available edtions and prices, please contact the gallery via email at info@theravestijngallery.com
  • Anja Niemi (b. 1976, Norway) always works alone; placing herself within her own meticulous tableaux, she constructs fictional stories where...
    Anja Niemi (b. 1976, Norway) always works alone; placing herself within her own meticulous tableaux, she constructs fictional stories where she is both the author and the character. 
    In Darlene & Me (2014), Niemi plays the parts of two identical women living against the backdrop of a sparse, bleached house in the desert. The dualism in each performative photograph speaks clearly of the internal, and often opposing, voices we are all so attune with. In this way, as with all of her work, Niemi appeals to ideas that are innate to the human condition, rather than being confined to a personal mediation. And whilst her poetic narratives are wholly imagined (although frequently inspired by film and literature), they act as an intimate space to catalyse real conversations about identity, conformity and the relationship we have with ourselves.
     
    Anja Niemi studied at the London College of Printing in Paris and Parsons School of Design in New York and has exhibited in galleries worldwide. Four monographs of her work have been published, Short Stories (Jane & Jeremy, 2016), The Woman Who Never Existed (Jane & Jeremy, 2017), She Could Have Been A Cowboy (Jane & Jeremy, 2018) and In Character (Thames & Hudson, 2019). Recent museum exhibitions include Fotografiska (Stockholm and Talinn), MAAT (Museum of Art, Architecture and Technology, Lisbon) and Des Moines Art Center (Iowa). Her work is part of various public and private collections.