• "The story is not really about being a cowboy. It’s about wanting to be another."  Anja Niemi

    In her series, She Could Have Been a Cowboy, Anja Niemi continues her investigations of the self. This time she turns the lens to a life lived under the constraints of conformity. Every day her fictional character finds herself trapped in the same pink dress, but what she really wants is to be a cowboy, dressed in fringe and leather, riding horses in the Wild West. Through this series of photographs with multiple layers and possible interpretations, Niemi delivers her most political work to date.

     

    "The story is not really about being a cowboy. It’s about wanting to be another."  Anja Niemi

     

    In order to visualize the imaginary world of her character Niemi had to experience it for herself. Alone in a rental car, dressed as a cowboy, Niemi visited and photographed all the places on her character’s annotated maps. She hiked up and down the mountains of America’s national parks  and rode a horse on the same field John Wayne filmed one of his famous horse battles. Always trying to be what her character would have wanted, unafraid and unaffected by others.

    Niemi works alone, photographing, staging and acting out the characters in all of her images. A book of the same name is  published by Jane & Jeremy and is available at the gallery.

     

    • Anja Niemi, The Imaginary Cowboy, 2018
      Anja Niemi, The Imaginary Cowboy, 2018
    • Anja Niemi, The Fictional Roadtrip, 2018
      Anja Niemi, The Fictional Roadtrip, 2018
    • Anja Niemi, The Duel, 2018
      Anja Niemi, The Duel, 2018
    • Anja Niemi, The Fall, 2018
      Anja Niemi, The Fall, 2018
    • Anja Niemi, Bang Bang, 2018
      Anja Niemi, Bang Bang, 2018
    • Anja Niemi, The Bath, 2018
      Anja Niemi, The Bath, 2018
    • Anja Niemi, The Cowboy, 2018
      Anja Niemi, The Cowboy, 2018
    • Anja Niemi, The Girl, 2018
      Anja Niemi, The Girl, 2018
    • Anja Niemi, She Could Have Been a Cowboy, 2018
      Anja Niemi, She Could Have Been a Cowboy, 2018
    • Anja Niemi, The Girl of Constant Sorrow, 2018
      Anja Niemi, The Girl of Constant Sorrow, 2018
    • Anja Niemi, The Graveyard, 2018
      Anja Niemi, The Graveyard, 2018
    • Anja Niemi, The Untraveled Suitcase, 2018
      Anja Niemi, The Untraveled Suitcase, 2018
    • Anja Niemi, The Dancing Cowboy, 2018
      Anja Niemi, The Dancing Cowboy, 2018
    • Anja Niemi, Girl of Constant Sorrow, 2018
      Anja Niemi, Girl of Constant Sorrow, 2018
    • Anja Niemi, The Motel Never Visited, 2018
      Anja Niemi, The Motel Never Visited, 2018
    • Anja Niemi, The Dress, 2018
      Anja Niemi, The Dress, 2018

  • For more information on available edtions and prices, please contact the gallery via email at info@theravestijngallery.com
  • Anja Niemi (b. 1976, Norway) always works alone; placing herself within her own meticulous tableaux, she constructs fictional stories where...
    Anja Niemi (b. 1976, Norway) always works alone; placing herself within her own meticulous tableaux, she constructs fictional stories where she is both the author and the character. 
    In Darlene & Me (2014), Niemi plays the parts of two identical women living against the backdrop of a sparse, bleached house in the desert. The dualism in each performative photograph speaks clearly of the internal, and often opposing, voices we are all so attune with. In this way, as with all of her work, Niemi appeals to ideas that are innate to the human condition, rather than being confined to a personal mediation. And whilst her poetic narratives are wholly imagined (although frequently inspired by film and literature), they act as an intimate space to catalyse real conversations about identity, conformity and the relationship we have with ourselves.
     
    Anja Niemi studied at the London College of Printing in Paris and Parsons School of Design in New York and has exhibited in galleries worldwide. Four monographs of her work have been published, Short Stories (Jane & Jeremy, 2016), The Woman Who Never Existed (Jane & Jeremy, 2017), She Could Have Been A Cowboy (Jane & Jeremy, 2018) and In Character (Thames & Hudson, 2019). Recent museum exhibitions include Fotografiska (Stockholm and Talinn), MAAT (Museum of Art, Architecture and Technology, Lisbon) and Des Moines Art Center (Iowa). Her work is part of various public and private collections.