Inez & Vinoodh Netherlands, b. 1963 / 1961
Think Nature, 2025
Archival inkjet print on Hahnemühle Photo Rag Baryta paper, mounted, white painted wooden frame with museum glass
This work is available in three sizes, as part of the total edition of 3:
20 x 26,3 inch / 50,8 x 129 cm or
40 x 52,7 inch / 101,6 x 133,8 cm or
60 x 79 inch / 152,4 x 201,5 cm
20 x 26,3 inch / 50,8 x 129 cm or
40 x 52,7 inch / 101,6 x 133,8 cm or
60 x 79 inch / 152,4 x 201,5 cm
Edition of 3 plus 1 artist's proof
Series: Think LOVE
IV 406
Inez and Vinoodh Artist Statement Think LOVE: The Origin Story Revisited in Think Love, the triptych’s central work, two lovers —the artists Charles Matadin and Natalie Brumley —embrace in a...
Inez and Vinoodh Artist Statement
Think LOVE: The Origin Story Revisited in Think Love, the triptych’s central work, two lovers —the artists Charles Matadin and Natalie Brumley —embrace in a passionate kiss beneath a transparent red veil. The image accentuates both the ecstasy of romantic love and the introspective nature of intimate connection. Referencing Gustav Klimt’s The Kiss (1907-1908), Charles' structured denim emphasizes the masculine, while Natalie's swirling lace patterns emphasize the feminine. As we envision them on a path to return to Paradise, the mountains and road behind them point to a future where protecting the environment is the key to their survival. Context from Artist: “Our work, however well planned, depends on improvisation. The delicate exchange with our subjects in the moment is key to our process. The iPhone's immediacy and intimacy, while preserving the highest photographic quality, has been a game-changer for us.”
Think LOVE: The Origin Story Revisited in Think Love, the triptych’s central work, two lovers —the artists Charles Matadin and Natalie Brumley —embrace in a passionate kiss beneath a transparent red veil. The image accentuates both the ecstasy of romantic love and the introspective nature of intimate connection. Referencing Gustav Klimt’s The Kiss (1907-1908), Charles' structured denim emphasizes the masculine, while Natalie's swirling lace patterns emphasize the feminine. As we envision them on a path to return to Paradise, the mountains and road behind them point to a future where protecting the environment is the key to their survival. Context from Artist: “Our work, however well planned, depends on improvisation. The delicate exchange with our subjects in the moment is key to our process. The iPhone's immediacy and intimacy, while preserving the highest photographic quality, has been a game-changer for us.”
Join our mailing list
* denotes required fields
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.